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  • Don’t Fence Me In: Coming of Age in America’s Concentration Camps—Audio Tour

    Hear from Emily Anderson, JANM’s curator for Don’t Fence Me In, and incarcerees from the War Relocation Authority camps as they share how Japanese American youth asserted their place as young Americans confronting the injustice of imprisonment in concentration camps. From joining scout troops to sports, social dancing to music, patriotism and life after camp, discover how these Americans used their resilience and...

  • Giving Opportunities

    Your Donations Matter In addition to membership and general donations, there are many ways you can financially support the Japanese American National Museum. Below are giving programs and fundraising events that impact on our museum initiatives and daily operations. Questions? Contact the JANM Development department at development@janm.org or 213.830.5646.

  • 2021 Gala & Auction - Sponsors

    Sponsorship Opportunities For sponsorship and digital ad opportunities, download the Sponsors Menu. Download For more information about the 2020 Gala, e-mail galadinner@janm.org, or call 213.830.5641.

  • Featured Collections

    TANAKA STUDIO COLLECTION (2007.61) This collection includes over 1,000 photographic negatives from Issei photographer Chikashi Tanaka (1888–1977). These photographs, taken for hundreds of clients, document the vibrant and deeply-rooted Japanese American community in Southern California during the prewar era. Japanese American National Museum, Gift in memory of Chikashi & Asa Tanaka and Yasuo “Clifford” & Yur...

  • Barbara Kawakami Collection

    (92.12, 94.275, 97.263, 99.235, 2004.1, 2006.166, 2008.95) This online collection of textiles and other artifacts from late 19th century through the 20th century was gathered by author and scholar Barbara Kawakami primarily in Hawaii. It is the most significant collection of Issei (first generation Japanese) immigration and plantation clothing in the world. A sample of the collection is currently available online wit...

  • Collections Access

    Accessing the Permanent Collection The over 150,000 objects that comprise the JANM permanent collection chronicle the Japanese American experience in its entirety from early immigration to the present. Artifacts related to early immigration to the United States at the turn of the 20th century, early life in Japanese American communities, and the World War II incarceration experience and military service are streng...

  • Artifact Donation

    Contributing to JANM’s Permanent Collection The over 150,000 objects that comprise the JANM permanent collection chronicle the Japanese American experience in its entirety from early immigration to the present. Artifacts related to early immigration to the United States at the turn of the 20th century, early life in Japanese American communities, and the World War II incarceration experience and military service a...

  • National Conferences

    JANM’s national conferences have strived to present transformative programming, presentations, and activities to multigenerational audiences. Each conference delved into historic and contemporary Japanese American experiences—within the context of democracy and social justice—by drawing upon scholarly analysis, community perspectives, and the power of the conference host site. Conversations begun at the conferences h...

  • Clara Breed Collection

    (93.75.31) The online collection of Clara Breed, or "Miss Breed" as she was known by her young library patrons, includes over 300 letters and cards received by Breed from Japanese American children and young adults during their World War II incarceration. Miss Breed was the children's librarian at San Diego Public Library from 1929 to 1945. When her young Japanese American patrons were forced into concentration ca...

  • Hideo Date Collection

    (99.111) The online collection of New York City-based artist Hideo Date (1907-2004) dates from the 1930s to 2004 and includes 178 drawings, prints and paintings. Born in Osaka, Japan, Date immigrated to California in 1923. After graduating from high school he enrolled at the Otis Art Institute in Los Angeles, but left after a year to pursue the study of traditional brush painting in Japan. Date returned to Los An...