SPECIAL ENGAGEMENT
Giant Robot and the Japanese American National Museum continues its Salon Pop series with Zen Garage, a concept display developed in collaboration with Eric Nakamura of Giant Robot.
The concept of Zen has been thwarted by popular culture in the form of awkward connotations and new “urban” meanings. Its basic meaning in our new world is essentially a “pure focus.” Likewise, a garage is no longer just a place where one parks their vehicle. Today’s garage can also function as a place of inspiration, development, and creation. With these words together, we bring you Zen Garage.
Zen Garage features three innovative creations illustrating various facets of contemporary aesthetics, lifestyles, and cultural backgrounds.
The SUPER FAMICOM CAR, a retro video game-inspired converted Scion xB utilizes projectors from both the front and rear to play video games. Its conversion includes sound making doors, a cartridge starter key, and controllers for each passenger. Designed by Giant Robot's Eric Nakamura and fabricated by Onimotorworks Len Higa, the car includes a custom video game, “Return of the Quack” featuring art by Matt Furie, programming by Chevy Ray Johnston, and game consulting and co-producing by Adam Robezzoli.
DAVID CHOE’S CUSTOM MONSTER SCION xB exemplifies his aerosol street style as well as his larger than life perspective. A muralist and graphic artist, his work can be found on walls from Los Angeles to Vietnam. He is known as much for his exaggerated vulgarity as for his aesthetic sensibilities. An avid drummer, Choe keeps a drum kit in the bed of this Monster Scion xB that he played to an audience at Miami’s Art Basel in 2006.
SHINYA KIMURA’S SPIKE is not only a motorcycle…it’s a work of art. Inspired by his imagination, Kimura creates functional art by infusing his philosophy and aesthetic values into his sculpturally unique and rolling designs. Kimura believes that the motorcycle represents in its form barbarism, vulnerability, and ephemeral beauty. By exposing the inner qualities of these machines Kimura instinctively creates machines that are an extension of the soul.
Zen Garage is part of the Salon Pop Series. Salon Pop is an experimental program series that provides an opportunity for the Museum to present the creative talents of Asians and Asian Americans whose innovative work is having an immediate impact or influence on American culture. This series illustrates the vitality of Asian American youth culture and its place within our everyday society.
Salon Pop is made possible with support from The James Irvine Foundation, interTrend Communications, Scion, and Giant Robot.
PRESS RELEASE
GIANT ROBOT, JANM TO UNVEIL ZEN GARAGE CONCEPT SHOW DEC. 30 FROM 5 TO 9 P.M. (December 24, 2010)
SPECIAL ENGAGEMENT
Giant Robot and the Japanese American National Museum continues its Salon Pop series with Zen Garage, a concept display developed in collaboration with Eric Nakamura of Giant Robot.
The concept of Zen has been thwarted by popular culture in the form of awkward connotations and new “urban” meanings. Its basic meaning in our new world is essentially a “pure focus.” Likewise, a garage is no longer just a place where one parks their vehicle. Today’s garage can also function as a place of inspiration, development, and creation. With these words together, we bring you Zen Garage.
Zen Garage features three innovative creations illustrating various facets of contemporary aesthetics, lifestyles, and cultural backgrounds.
The SUPER FAMICOM CAR, a retro video game-inspired converted Scion xB utilizes projectors from both the front and rear to play video games. Its conversion includes sound making doors, a cartridge starter key, and controllers for each passenger. Designed by Giant Robot's Eric Nakamura and fabricated by Onimotorworks Len Higa, the car includes a custom video game, “Return of the Quack” featuring art by Matt Furie, programming by Chevy Ray Johnston, and game consulting and co-producing by Adam Robezzoli.
DAVID CHOE’S CUSTOM MONSTER SCION xB exemplifies his aerosol street style as well as his larger than life perspective. A muralist and graphic artist, his work can be found on walls from Los Angeles to Vietnam. He is known as much for his exaggerated vulgarity as for his aesthetic sensibilities. An avid drummer, Choe keeps a drum kit in the bed of this Monster Scion xB that he played to an audience at Miami’s Art Basel in 2006.
SHINYA KIMURA’S SPIKE is not only a motorcycle…it’s a work of art. Inspired by his imagination, Kimura creates functional art by infusing his philosophy and aesthetic values into his sculpturally unique and rolling designs. Kimura believes that the motorcycle represents in its form barbarism, vulnerability, and ephemeral beauty. By exposing the inner qualities of these machines Kimura instinctively creates machines that are an extension of the soul.
Zen Garage is part of the Salon Pop Series. Salon Pop is an experimental program series that provides an opportunity for the Museum to present the creative talents of Asians and Asian Americans whose innovative work is having an immediate impact or influence on American culture. This series illustrates the vitality of Asian American youth culture and its place within our everyday society.
Salon Pop is made possible with support from The James Irvine Foundation, interTrend Communications, Scion, and Giant Robot.
PRESS RELEASE
GIANT ROBOT, JANM TO UNVEIL ZEN GARAGE CONCEPT SHOW DEC. 30 FROM 5 TO 9 P.M. (December 24, 2010)
Shinya Kimura’s motorcycle.
Photo courtesy of Giant Robot
The Super Famicom Car, a retro video game-inspired converted Scion xB utilizes projectors from both the front and rear to play video games.
Photo courtesy of Giant Robot
David Choe painted monster Scion truck with drum kit set up in the flatbed of the truck.
Photo courtesy of Giant Robot
Zen garage flyer announcing show.
Car with video game controllers and projection of video game.
Photo courtesy of Giant Robot
Vehicles on display in the Zen Garage exhibition.
Photo courtesy of Giant Robot
Painted monster truck and Scion video game car with Zen Garage logo on wall.
Photo courtesy of Giant Robot
Shinya Kimura’s motorcycle in front of video playing on the wall.
Photo courtesy of Giant Robot
SPECIAL ENGAGEMENT
Giant Robot and the Japanese American National Museum continues its Salon Pop series with Zen Garage, a concept display developed in collaboration with Eric Nakamura of Giant Robot.
The concept of Zen has been thwarted by popular culture in the form of awkward connotations and new “urban” meanings. Its basic meaning in our new world is essentially a “pure focus.” Likewise, a garage is no longer just a place where one parks their vehicle. Today’s garage can also function as a place of inspiration, development, and creation. With these words together, we bring you Zen Garage.
Zen Garage features three innovative creations illustrating various facets of contemporary aesthetics, lifestyles, and cultural backgrounds.
The SUPER FAMICOM CAR, a retro video game-inspired converted Scion xB utilizes projectors from both the front and rear to play video games. Its conversion includes sound making doors, a cartridge starter key, and controllers for each passenger. Designed by Giant Robot's Eric Nakamura and fabricated by Onimotorworks Len Higa, the car includes a custom video game, “Return of the Quack” featuring art by Matt Furie, programming by Chevy Ray Johnston, and game consulting and co-producing by Adam Robezzoli.
DAVID CHOE’S CUSTOM MONSTER SCION xB exemplifies his aerosol street style as well as his larger than life perspective. A muralist and graphic artist, his work can be found on walls from Los Angeles to Vietnam. He is known as much for his exaggerated vulgarity as for his aesthetic sensibilities. An avid drummer, Choe keeps a drum kit in the bed of this Monster Scion xB that he played to an audience at Miami’s Art Basel in 2006.
SHINYA KIMURA’S SPIKE is not only a motorcycle…it’s a work of art. Inspired by his imagination, Kimura creates functional art by infusing his philosophy and aesthetic values into his sculpturally unique and rolling designs. Kimura believes that the motorcycle represents in its form barbarism, vulnerability, and ephemeral beauty. By exposing the inner qualities of these machines Kimura instinctively creates machines that are an extension of the soul.
Zen Garage is part of the Salon Pop Series. Salon Pop is an experimental program series that provides an opportunity for the Museum to present the creative talents of Asians and Asian Americans whose innovative work is having an immediate impact or influence on American culture. This series illustrates the vitality of Asian American youth culture and its place within our everyday society.
Salon Pop is made possible with support from The James Irvine Foundation, interTrend Communications, Scion, and Giant Robot.
PRESS RELEASE
GIANT ROBOT, JANM TO UNVEIL ZEN GARAGE CONCEPT SHOW DEC. 30 FROM 5 TO 9 P.M. (December 24, 2010)